Violet Grohl Steps Out Solo with Dual Release

As 2025 draws to a close, the musical landscape is witnessing a fascinating intersection between rock legacy and ambient memory, marked by the debut of Violet Grohl. The 19-year-old daughter of Foo Fighters frontman Dave Grohl has officially launched her independent musical career.

On December 5, 2025, Grohl unveiled two distinct tracks simultaneously: “THUM” and “Applefish.” These songs were made available digitally, alongside a strictly limited vinyl pressing that vanished from shelves almost instantaneously. This rapid sell-out confirms that the public's curiosity regarding her own artistic voice extends far beyond the shadow of her famous surname.

The two initial offerings showcase markedly different facets of Violet’s emerging style. “THUM” is characterized by a raw, energetic alternative rock sound, deeply rooted in the DNA of the 1990s. It carries clear echoes of bands like Veruca Salt and Hole—a sonic era that heavily influenced her father’s formative years.

Conversely, “Applefish” presents a slower, more cinematic experience, bordering on the dreamlike. In this track, Grohl’s softer vocals take center stage, inviting the listener to pause, observe, and absorb the atmosphere she creates. It’s a masterclass in restraint compared to the punch of its counterpart.

For this foundational material, Violet collaborated with producer Justin Raisen. Raisen is a notable figure, having previously helmed sessions for artists such as Kim Gordon, Charli XCX, and Angel Olsen. His involvement is palpable; the production deftly navigates the fine line between honoring grunge heritage and charting a unique course for this young artist. This is particularly evident in the production choices on Gordon’s Grammy-nominated album, The Collective, where Raisen demonstrated his skill in balancing legacy and innovation.

What New Tones Emerge in the Global Soundscape?

Violet Grohl’s arrival injects a compelling new voice into the ongoing narrative of rock music. This is not a mere imitation of the Foo Fighters’ stadium anthems or a direct throwback to Nirvana’s intensity. Instead, it represents a subtle, yet significant, divergence.

It is a softer branch of the rock family tree, where the raw energy of the nineties is filtered through the sensitivities of a generation raised on streaming culture and the normalization of vulnerability. Her debut signals more than just the arrival of a musician’s offspring; it exemplifies how inherited musical memory can coalesce to forge an entirely fresh timbre and artistic identity.