The Barcelona-based artist Rosalía marked a significant stylistic departure on October 27, 2025, with the unveiling of her inaugural single, “Berghain,” taken from her highly anticipated forthcoming album, “Lux.” Scheduled for release shortly thereafter on November 7, 2025, the track signals a decisive shift in the singer’s soundscape. Moving away from the familiar Latin rhythms that defined much of her previous work, “Berghain” plunges listeners into a realm of profound symphonic and operatic depth, showcasing a bold new direction for the global superstar.
The composition is a rich tapestry woven together through high-profile collaborations, featuring contributions from the iconic Björk and experimental producer Yves Tumor. Musically, the track masterfully blends intense electronic vibrations with sweeping orchestral flourishes, punctuated by powerful, almost liturgical choral sections. Reflecting its global scope and complex themes, the lyrics are delivered across three distinct languages: German, Spanish, and English. Central to the piece is a meditative, recurring line delivered by the choir, which encapsulates the song’s emotional core: “His fear is my fear, his love is my love, his blood is my blood.”
Despite the title’s direct reference to the legendary, often hedonistic Berlin techno club, Berghain, the song’s thematic focus is surprisingly spiritual. Rather than celebrating nightlife excess, Rosalía uses the name as a counterpoint to explore themes of light and profound internal transformation. The single acts as a prelude to the full album, “Lux,” a title which translates directly to “Light.” This overarching project delves deeply into concepts of female mysticism, faith, and the transformative journey—charting the difficult yet necessary path between profound loss and eventual enlightenment.
The visual accompaniment for the single, a music video helmed by director Nicolás Méndez and filmed in Warsaw, further emphasizes this spiritual shift. Méndez transforms seemingly mundane, everyday activities—such as having breakfast or taking a simple walk—into elevated, sacred rituals. Rosalía is visually framed alongside a striking “black orchestra,” where every note and movement is intended to feel like a revelation. This visual language underscores the idea that transformation is found not just in grand gestures, but in the sanctification of the ordinary.
The complete “Lux” album promises an expansive experience, structured across 18 tracks that are thoughtfully divided into four distinct “movements.” The list of featured artists highlights the project’s ambition and scope, bringing together a formidable assembly of talent from diverse musical worlds. Collaborators include the acclaimed fado singer Carminho, the renowned flamenco vocalist Estrella Morente, and the celebrated Catalan singer Sílvia Pérez Cruz. Furthermore, the album features the majestic sound of the London Symphony Orchestra, conducted by the Icelandic composer Daniel Bjarnason.
This extensive collaboration aims to forge a collective female voice, one that resonates with the power and sincerity of a prayer seeking wholeness and integrity. Within this framework, Yves Tumor provides essential contributions that drive the narrative of transformation forward, while Björk’s parts specifically call for a “divine intervention,” positioning it as the ultimate, necessary means of salvation. This powerful confluence of voices and instrumentation ensures the album is a deeply moving experience.
Ultimately, “Berghain” serves as a powerful statement regarding the nature of struggle and redemption. It is a work that transcends its initial, dark associations, offering a message of hope that is central to the entire “Lux” project. As the artist herself conveys, the track is emphatically not about darkness, but rather about the light that manages to pierce through it, offering clarity and transcendence.