Poland's Tomasz Kuczyński Crowned World Champion Florist in The Hague

The World Cup Floral Art 2025, held in The Hague, Netherlands, from August 28 to 31, has concluded with Tomasz 'Max' Kuczyński of Poland emerging as the World Champion Florist.

This prestigious event, which evolved from the esteemed 'EUROPA CUP', brought together 24 of the world's most skilled florists. Kuczyński's victory is a testament to his dedication and unique approach to floral artistry, highlighting the growing international recognition of Polish floral art. Gábor Nagy of Hungary secured the second position, while Frédéric Dupré of France took third place, showcasing the diverse European talent present.

The competition challenged participants to create designs inspired by Dutch heritage, including floral-decorated bicycles and arrangements reminiscent of historical Dutch tulip vases. Christopher Ernst of Germany received special mention from the international jury for his innovative bicycle design, which blended tradition with contemporary style.

The event also featured demonstrations and workshops by renowned florists, including Dutch champion Hanneke Frankema, celebrated for her innovative techniques and connection to nature. Frankema's participation added significant value, offering insights into the expertise that has earned her numerous accolades, including the Europa Cup in Poland in 2022.

The World Cup Floral Art served as more than just a competition; it was a platform fostering growth, learning, and the exchange of expertise. It underscored the continuous evolution of floral art as a discipline, where traditional techniques merge with modern aesthetics and sustainable practices. The event celebrated individual achievements while emphasizing the collective spirit and dedication driving the global floral community forward, celebrating the enduring beauty and expressive power of flowers.

The competition's focus on diverse designs, including those inspired by Dutch heritage like tulip vases and bicycles, underscored the dynamic nature of contemporary floral art. This reflects broader trends in the Netherlands, a country with a deep horticultural history and significant global influence in the flower industry, as exemplified by its iconic tulip festivals. The event acted as a beacon for aspiring florists, demonstrating the potential for creativity and professional development within the field.