The cinematic world is eagerly anticipating the launch of Daniel Guzmán’s third full-length feature, titled “La deuda,” which translates to “The Debt.” This highly awaited picture is scheduled for its exclusive theatrical debut on October 17, 2025. Guzmán took on substantial responsibility for the project, not only serving as the director and screenwriter but also taking on a significant acting role. He shares the screen with renowned performers such as Itziar Ituño and Luis Tosar. The film has already garnered attention following its presentation at the prestigious Málaga Festival, where it was praised for tackling pressing social issues interwoven with deeply personal struggles, reportedly drawing inspiration from the director’s own grandmother’s history.
The narrative centers on the lives of Lucas, a man in his middle years, and Antonia, an elderly woman. They share a warm and affectionate existence within their city apartment, but this cherished stability is abruptly jeopardized. Their fragile equilibrium shatters when an investment fund acquires the entire residential building with the intent of converting it into lucrative tourist accommodation. This scenario acts as a stark mirror reflecting the realities of the contemporary housing crisis, particularly prevalent in major metropolitan areas.
Facing the imminent threat of displacement, Lucas is forced into a desperate race against the clock to secure the necessary funds to preserve their sanctuary. However, the pressure of the situation leads him to make a single, ill-advised decision born out of sheer desperation. This critical misstep dramatically alters the trajectory of their lives, highlighting the extreme lengths people are driven to when fighting for their homes and dignity.
Critics have observed that Guzmán’s work transcends mere social condemnation. While it certainly shines a light on institutional pressures, the film simultaneously celebrates the profound value of everyday emotional connections. The director himself admitted that although his initial concept was rooted in social commentary, the process of filmmaking revealed a deeper layer: a story of love. He views it as an intergenerational romance where every character is desperately seeking attachment and striving to break free from unfavorable circumstances. Furthermore, the movie delves into complex emotional terrain, specifically addressing the pervasive feeling of guilt, which Guzmán believes is deeply embedded in the culture and acts as a significant impediment to personal growth.
Adding a layer of poignant authenticity to the cast is Charo García, a non-professional actress who portrays Antonia. Tragically, García passed away in May 2025, shortly before the film’s screening at Málaga. The production team had to approach the scenes involving her with exceptional delicacy due to her physical condition, underscoring the sincerity and dedication invested in this cinematic endeavor. Ultimately, “The Debt” is more than an indictment of a flawed system; it serves as a powerful appeal to recognize how external conditions mold individuals and the difficult choices made in the struggle to maintain human dignity when confronted by the ruthless logic of financial gain.